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Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
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野崎(冈田准一 饰)是一名灵异小说家,一天,一位名叫田原秀树(妻夫木聪 饰)的男子找到了他,说自己的家里发声了超自然现象,怀疑是不是有恶灵企图伤害他的妻子香奈(黑木华 饰)和孩子知纱。于是,野崎找到了灵能力很强的女友比嘉真琴(小松菜奈 饰),一起调查这起事件。
让两人没有想到的是,没过多久,便传来了秀树和香奈惨死的消息,种种线索指出,潜伏在他们家里的“东西”不是等闲之辈。意识自己的力量远远不够的真琴搬出了自己的姐姐琴子(松隆子 饰),琴子是世界上远近闻名的驱魔师。在简单的调查了案发现场后,琴子向世界各地的灵媒发出了邀请,请他们于圣诞夜集结于此,共同对付这个超乎想象的邪魔。
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骇人视频不断被挖掘出来!数十年前的视频里面出现巨大的影子!提供者在接受采访时,突然有异状!是鬼的痕迹吗?行驶中的汽车玻璃上出现神秘的手印! 本集收录:画了危险女子画像的朋友、空手道练习、员工旅游、铁道迷、浴缸里、幼儿园的运动会、废墟迷、烤肉后的回家路上讲鬼故事。
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《关注者》某小公司职员藤田小春(白石麻衣 饰)在网上将自己打造成香车、包包、富豪男友环绕的闪亮港区OL,为了不输给网络上的竞争对手,她落入了奢靡虚荣的深坑,与此同时有位网络好友似乎识破了她的真面目。 《外遇警察》在民众的呼吁下,日本政府成立出轨取缔厅,对不伦出轨行为施以最严厉的打击。某公司部长葛木良男(唐泽寿明 饰)小心谨慎,生怕瓜田李下的事情发生。然而,一系列误会之后他还是引来了出轨取缔厅的官员。 《穿越到明天》独立电影导演小林峰雄(三浦春马 饰)奋斗多年,仍然无法得到证明自己的机会。经心理医师建议,他服用了一种可以清除之后24小时记忆的药物减缓压力。换言之,这种药物可以删除随后的痛苦,让人安全穿越到未来。 《少年》一个因车祸入院治疗的神秘少年,不知为何始终逡巡在OL小遥(仓科加奈 饰)的身边。直到某天,少年借住小遥家中,他们之间似乎有着更深远的联系。
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