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Michelle、Irene和Barbara是被派往一家贫民窟的诊所做护士的修女。为了更好地融入社区,她们以便装示人,隐瞒了修女身份。在诊所,她们结识了主治医生John Carpenter。行医救人的过程中,三位修女分别遇上了各种挑战,教堂的刁难、邻居的误...
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科勒上尉招募了一个由五名美国士兵组成的装备(被称为“割喉”)来攻击德国的据点以捕获作战计划……尽管他的真正动机是偷走一批被纳粹掠夺的珠宝。 敌方士兵被枪杀后,大院里的美女们把《肮脏的半打》当作舞台表演,后来,她们自己也一样。
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电影为侯麦《六个道德故事》系列之一。故事讲述一个34岁的天主教徒让-路易斯(简-路易斯·特林提格南特 Jean-Louis Trintignant 饰)爱上了一个年轻的女大学生。他偶遇老朋友维塔尔(安东尼·维特兹 Antoine Vitez 饰),被邀请到...
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这部电影以“侦探贝利”的形式上映,由弗兰科·尼禄主演,电影上映时,他是欧洲的万人迷。尼禄扮演一个顽固的腐败警探,与类型对抗。在谋杀案的调查过程中,Det。贝利穿过罗马的上流社会。令人惊讶的是,他开始培养良心并决定“做正确的事”并找出真正的凶手是谁。像所有有...
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西部犯罪团伙头目Vince Hackett从墨西哥盗窃了一门大炮,要以此作为巩固自己地头蛇地位的主要重武器。但是,狡诈的Hackett把罪名栽赃给了金盆洗手的前团伙成员Jess Wade。Wade身陷风波,一边要躲避悬赏通缉,一边又要面对小镇居民的猜忌和非...
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Hossien 饰演一个穿着皮衣的杀手,被他的前男友 Michelle Mercier 卷入了一场悲惨的绑架/谋杀阴谋。一部几乎完全视觉化的意大利式西部片,对话可能不超过两打。
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牛仔詹姆斯弗朗西斯库斯通过捕捉住在紫禁谷的霸王龙并将其放入墨西哥马戏团来寻求名利。他的受害者,称为 Gwangi,结果证明厌恶在公共场合展示。另一部电影以 stop- Ray Harryhausen 的动作特效人才。
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◎ 简 介:
看点: 拍摄于越战期间,通过5段不同的故事表达出五位导演对当时政局的看法
第一部分的主题是冷漠,楼下一桩抢劫杀人的案正在进行,楼上所有人都熟视无睹。街边发生一起交通事故,没有任何车停下来救人。直到在警察的帮助下一位司机出现,他理所当然地拒绝,但是迫于无奈只好就范,却于中途逃走,故事原来是这样的。
第二部分是一段行为艺术表演。临死的人进行死前最后的忏悔,很有意思,比现在的好多所谓行为艺术好看多了。
第三部分是帕索里尼的贡献:他的最爱演员Ninetto Davoli漫步在大街上,手握着一大扎纸花去见情人。一路走来充满阳光,这个世界的另一些地方却是另一中摸样。
第四部分是戈达尔的“爱”。有两种含义:政治层面的故事聚焦在古巴,有点自我批评的感觉。
第五部分,大学教室里正在上课,一群自称学生会的人闯了进来,声称要改革对文化的压迫,于是辩论展开。
◎ 关于影片:
意大利/法国1969年五位大师(贝尔托鲁奇、帕索里尼、戈达尔、贝洛奇奥、卡罗里扎尼)联手合导的经典名作,荣获1969年柏林影展提名金熊奖。
导演们的信条,拒绝把电影当作是故事;至少在此说:并不是因为你看多了电影就懂得了“电影”;第七艺术就好比在欧几里德之前的数学;而且导演并没有表示说“新浪潮”就是欧几里德。
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Mannheim-Heidelberg International Filmfestival
YearResultAwardCategory/Recipient(s)
1969 Won Grand Prize
Dusan Hanák
A government official in Czechoslovakia mistakenly believes he has cancer. He reasons his involvement in clandestine activities during the Stalin administration have fated him to die from a dreaded disease. He searches for inner peace as he feels the guilt of his past transgressions. This film tied for the Grand Prize at the Mannheim Film Festival in 1969.
Slovak director Dusan Hanak was one of Czech cinema's brightest and best talents of the '60s and '70s, but because of censorship this was not manifest until the late '80s. Dusan made an impact on the film world with his auspicious debut 322 (1969). Though banned until 1988, when it was finally released, it earned international acclaim and the Grand Prix award at the Mannheim Film Festival. Hanak's sophomore effort, the documentary Obrazy Stareho Sveta/Image of an Old World (completed in 1972), was also not released until 1988 and neither was his 1980 film Ja Milujem, Ty Milujes/I Love You, You Love. Only Hanak's 1976 film Ruzove Sny/Rose-Tinted Dreams passed muster with censors and saw a timely release.
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Antonio of the Death is a "cangaceiros" killer. Cangaceiro is the local name for a popular leader. A...
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The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
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经过长达七年的修业之旅,绯牡丹阿龙(藤純子 饰)和组员飞车角(広瀬義宣 饰)返回故乡熊本,决心复兴父亲一手创立的矢野组。路上,他们偶然救助了遭到追杀的青年富士松(待田京介 饰),因此与当地的黑帮荒木田组结怨。 随着明治时代的到来,日本全面进入工业社会。九州筑丰一带富足的煤矿得到广泛开发,为了提高运输速度,铁路的铺设被提上日程。然而这项计划触及了远贺川流域运煤船工的利益,他们和承包工程的帮派组织多次发生冲突。阿龙的叔父川边要次郎(嵐寛寿郎 饰)在冲突中受伤,不治身亡。他在临死前将组织托付给阿龙,并嘱托她一定要完成铁路的建设。继承叔父的遗志,阿龙全力推进工程的进行,因此和代表船工利益的堪藏(石山健二郎 饰)产生矛盾。另一方面,心怀不轨的荒木田组伊之助(天津敏 饰)时刻寻找机会,准备一举摧毁铁路工程以及阿龙、堪藏的组织……
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导演其实在开篇的旁白里就已经说出了故事的结局,电影是一出悲剧。但却是以喜剧的形式讲述的。 三名孤儿,安德列、尤里克与玛尔塔。其实都是成年人,但他们的行为却如孩子般天真。三人住在一所战争中被炸毁的教堂里。有趣的是,这所教堂竟然还有个房东,他也是个孤儿。胖胖的,可爱的老头, 贪吃、爱玩,喜欢弹钢琴。安德列与尤里克本是好友,但自从犹太女孩玛尔塔到来之后,他们的关系变得异常微妙。尤里克无缘由地被抓进监狱。一年出狱后,发现已经是物是人非。他们的将来会何去何从呢? 片中的鸟儿,是指人死后灵魂的象征物;愚人,也可以说是“傻瓜”,是指那些在战争中失去理智的疯子或者被别人称为是有理性的那些人。 剧中经常出现不合常理、超现实的人物、场景。
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In the 19th century, siblings Abilene and Tod, orphaned on their western farm, become attracted to each other, sexually. The confused Tod fleas to a nearby town where he meets Linda, a local bar girl, and begins a sexual relationship with her, while a rough cowboy, named Rawhide, sexually assaults Abilene leading Tod wanting revenge despite Linda's wariness and growing compassion for Abilene.
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耿青和袁如玉是一对青梅竹马的恋人。袁如玉美丽端庄、温柔贤惠,耿青武艺出众、一表人才。他们生活在山里,日子过得幸福。不过耿青觉得一身武艺没有用武之地,渴望可以凭借武艺博得功名利禄,带给如玉更幸福的生活。当他得知节度使洪杰正在招募近身卫士,认为机会来了,于是告别如玉下山投靠洪杰。 一转眼过去两年,耿青凭着一身出色的武艺得到洪杰的赏识。为了能够尽快升职,他自告奋勇缉拿偷走王者神剑的大盗王雄。王者神剑是练武之人梦寐以求得到的上古利器,不仅如此,王者神剑的隐身剑法更是可以杀人于无形。耿青如果可以为洪杰得到王者神剑定是大功一件。 就在耿青孤身追击王雄的时候,袁如玉母亲病死,她下山投靠耿青。在洪杰府门口打听耿青下落的时候被陆师爷看到。陆师爷本是溜须拍马的小人,他看到如玉美貌,心生一计,打算把她献给洪杰。洪杰本就好色,看到如玉如此美貌,心中大喜。怎奈如玉性格刚强,不肯就范,要自尽。陆师爷于是假装劝慰,暗中用迷香将如玉迷倒,洪杰趁机占有了如玉。不久耿青杀死王雄带着王者神剑回来了,洪杰和陆师爷一面为耿青庆功,一面以耿青的前途威胁如玉,不许她说出真相。尽管如此,陆师爷觉得还是不踏实,于是在耿青不在的时候下毒害死了如玉。 如玉死后洪杰假仁假义地让耿青带着如玉的骨灰回老家安葬,还把王者神剑赐给耿青陪葬如玉。不明真相的耿青感激涕零。其实洪杰赐的王者神剑只不过是把假的,而且他还安排了霹雳火魔、摄魂鬼以及赤风妖道等人在路上伏击耿青,要置他于死地。如玉姑娘的魂魄暗中保护耿青,并托梦给他,让他知道了事情的真相,而且还告知了王者神剑隐身剑法的破解之法。耿青带着满腔的仇恨踏上了复仇之路,洪杰和陆师爷最终死于耿青剑下。
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这次,阴谋家贝洛福(特利•萨瓦拉斯Telly Savalas 饰)在瑞士山区建立一个疗养院,表面上这是一个普通的高级疗养院,风景秀丽、服务一流,但实际上却是贝洛福进行的一项旨在控制全球的计划的重要基地。在这个疗养院里,贝洛福开发出一种新型病毒,他企图将病毒注射到来这里疗养的女患者身上,然后通过她们传播到世界各地,达到掌握世界主权的目的。贝洛福的阴谋行动引起了英国情报部门的注意,于是007邦德(乔治•拉扎贝 George Lazenby 饰)奉命出动。邦德乔装打扮成家谱学的专家混进了这座疗养院,他必须及时查处贝洛福的阴谋,并阻止他!©豆瓣
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This film took the top honor at the 1969 Berlin Film Festival. After a series of documentaries, this marks the directorial debut for Zelimir Zilnik. It takes a decidedly anti-Stalinist view in the wake of the 1968 Russian invasion of Czechoslovakia and raises important political questions. He states that although the world has experienced untold wars, there have only been a handful of revolutions with any lasting significance that lead to political change.
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ynopsis from Time Out Film Guide: Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy...
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