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Omer Perelman Striks 阿萨夫·乔纳斯 Ofek Nicki-Cohen Gal Ben Amra Roy Reshef Nadia Kucher Igal Reznik Aviv Karmi Gil Vaserman May Kurtz Yarden Tusia-Cohen Nili Tserruya
以色列游泳界冉冉升起的新星埃莱斯,背负着家人的期待,来到位于荒漠的泳训营,与来自各地的选手,角逐代表以色列出征奥运的唯一门票。在那里,他认识了俊俏又充满天分的奈福,两人亦敌亦友,既是竞争关系,又被他深深吸引,淋浴间的赤裸相对,更唤起他隐藏很久的潜在欲望。教练不断警告他:赛事前无友谊。繁忙的练习,加上天人交战的心意,决赛之日即将到来,埃莱斯决定跟随着自己感觉采取行动,他了解,赢得奖牌,或许不如赢得奈福的心。
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一段奇妙却又充满禁忌的初恋故事!描述一名生长在传统犹太教青少女,她的性觉醒与丧偶父亲严谨的宗教信仰之间的冲突与撞击。这也是编导演Tsivia Barkai Yacov的自传性故事。本片是继她的毕业作品VIKA 入围2006 柏林影展Generation Kplus竞赛单元之后,再次受到柏林影展肯定。
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Inspired by true events in 1948. Hassanin, an yuankan.cc Egyptian filmmaker, is tasked with documenting a raid on the isolated kibbutz Nitzanim. When the kibbutz learns of the impending army raid, Mira, a young but valiant mother, is forced to reckon with the true cost of war and make an impossible choice.
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一场生死大战即将展开!加州地区发生里氏9.5级的巨大地震,幸好在普莱斯顿上尉率领下,岛上居民得以存活然而,此时岛上却陆续发生多起离奇事件;寻弟心切的 麦布莱上尉也在此刻来到岛上,在普莱斯顿上尉调查下发现他们跟拉奇太太凯妮都被抓到南王监狱,并被犯罪团体首领以毒品控制。为了解救无辜的受害居民,普莱斯顿上尉将带领特遣队勇闯魔鬼岛
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参军27年的大卫退役后回到久违的家人身边,试图重新开始,过上平民百姓的日子。他自信能在私营部门找到一些管理类的职位,事实上却难以适应“新以色列”的步伐— —一种痴迷于成功和财富的富有竞争性的文化。他常常独自在家,收看晨间电视节目或收听广播。当一位朋友建议他去一家膳食补充的销售公司工作,他视之为跨入商业领域和实现事业有成的第一步,然而,因为这一决定,以色列的黑暗势力渐渐裹挟了他和他的家人。
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Noa Koler 阿摩司·塔玛姆 奥兹·泽哈威 Irit Sheleg Ronny Merhavi Dafi Shoshana Alpern 奥德·利奥波德 Udi Persi Jonathan Rozen Karin Serrouya
米雪儿(Noa Kooler 饰)已经32岁了,在原本的计划中,她很快就将和完成了爱情长跑的男朋友幸福的携手步入婚礼的殿堂,之后等待着她的,将会是让人人羡慕的美满生活。然而,一个无心的玩笑竟然让米雪儿的男友在这个节骨眼上选择了离开她。
婚礼的场地已经决定了,一切程序按部就班的进行着,可是突然之间,新郎没了,这让米雪儿陷入了焦虑之中。将这一切取消已经不可能了,离仪
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麦莎·阿德哈迪 兹亚德·巴克里 Jihan Dermelkonian Hanan Hillo Amer Hlehel Doraid Liddawi Mahmoud Shawahdeh Saana Shawahdeh
在拿撒勒,一对老夫妻疲倦地过着单调的生活。而在拉马拉,以色列的另一边,他们的儿子塔里克想做一辈子的单身汉;他们的女儿将要生产,但她的丈夫刚获得了一个电影角色,为此丈夫的母亲气昏了头...
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卡伊斯·纳塞夫 Avi Cohen Ella Daniel Shachar Mor Haim Uri Halevi Miki Leon Ben Mandola Hila Mezger Tal Bartov Abad Al-Rahman Natur Yosiel Ne'eman Janet Sabag Shany Verchik
生活在以色列的巴勒斯坦男子萨拉赫不幸失去幼子奥马尔,按习俗要带子回乡安葬。天气炎热,萨拉赫为了能尽快回乡,决定用一只行李袋包裹幼子穿越边境。然而巴以边境正在实施严格的军事管制,他的旅途因此变得异常艰难。米莉是一位怀孕的单身女性,在商场工作时遇到了萨拉赫。了解这位父亲的困难后,米莉决定尽其所能地帮助他。在这场短暂却温柔的公路旅程中,两个孤独的灵魂成为了彼此的伙伴。本片男主演卡伊斯·纳塞夫曾凭借《特拉维夫在燃烧》获得2018年威尼斯电影节地平线单元最佳男演员奖。
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Clil Arbel Dorin Caspi Avinoam Mor Chaim 梅纳什·诺伊 Gera Sandler Ola Schur Selektar Alexander Senderovich
An estranged father and son are brought together by a young crane named Karl as they trace a family of the birds on their migratory journey from Russia to Africa
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Hanoch est seul sur une plage déserte d'un petit village des Landes. Au loin, Israël, son pays, qu'il a quitté pour une raison mystérieuse. Quelques jours plus tard, une jeune femme le retrouve inconscient sur le rivage. Personne ne parvient à savoir qu
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台拉维夫旧城区的小巷弄裡,生性固执的古董修复师死守一家债务累累的老店舖,偏偏当律师的儿子又极力说服他卖掉古董店退休,只有刚领进门的年轻学徒理解老师傅的毕生梦想。父子间的难解情仇,加上学徒与儿媳不伦相恋,终于爆发成家庭战争。究竟该放开过去,或是将未来赎回?老师傅生命中最后一次出手,要修复的,不只是古董,更是他和深爱之人的人生。一场情感的文艺复兴就要开始。一如片中的古董师傅,导演约瑟夫麦德莫尼以镜头细磨再现日常事物之肤表,从败毁街道到散落的旧家具,光影中皆呈现润泽之色调。时移事往,我辈孤雏,面对血缘或者技艺上的继承者,如何传承生活,亦便是如何传承爱。修复师遂成为我们快速更新时代裡最忧伤的注脚。
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以色列和法国合拍片。第41届多伦多国际电影节(2016)亚洲电影促进联盟奖。故事刻意塑造了截然不同的三种典型女性——保守穆斯林、独立女强人、女同。在特拉维夫复杂的文化背景里,她们一直在与天差地别的价值观冲突与和解,最终因为女性共同承担的苦难团结起来,很美好。三人差别巨大,但在面对生活和爱情时都很酷,坚定而勇敢。女性的微妙处境,是平静日子里的绝望与希望。此片动情之处,面对比传统婚姻制度,父亲深沉的爱。
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影片根据吉拉·阿尔玛戈原著的小说《阿维娅的夏天》改编,真实而生动地展现了以色列的生活。影片朴实、丰富、优美,反映了犹太大屠杀的主题。 1951年的夏天,寄宿学校的学生阿维娅的母亲把她带回家过暑假。阿维娅的父亲死于犹太大屠杀,母亲因为在集中营受到刺激,一直患有精神病。由于母亲长期住院,阿维娅很少能见到母亲。在与母亲共同度过的这个夏天,阿维娅悲喜交加。悲的是自己染上虱子被剃秃而母亲因为患病被邻居们唾弃,喜的是能与母亲共同生活,享受天伦之乐。阿维娅对从未谋面的父亲有着美好的憧憬。她相信,自己的父亲没有死,而是活在另外的地方。新搬来的邻居甘茨先生与母亲十分友善,阿维娅以为甘茨先生就是自己的父亲。阿维娅相信,幸福的未来在等待着她,可是现实是残酷的……
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The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
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一个关于中国和以色列的故事。 At thirty-seven, Miri is a twice-widowed, El Al flight attendant. Her well-regulated existence is suddenly turned upside down by an abandoned Chinese boy whose migrant-worker mother has been summarily deported from Israel. The film is a touching comic-drama in which two human beings -- as different from each other as Tel Aviv is from Beijing -- accompany each other on a remarkable journey, one that takes them both back to a meaningful life.
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罗内特·艾尔卡贝兹/摩西·伊夫吉/雅艾尔·阿贝卡西斯/Albert Iluz/汉娜·拉斯洛/Rafi Amzaleg/克伦·莫尔/阿隆·阿布布尔/Hana Azoulay-Hasfari/西蒙·阿布卡瑞安/Evelin Hagoel/Gil Frank/Yechiel Elkabetz/Ruby Porat Shoval/David Ohayon
1991年,在以色列,一个犹太家庭的一个兄弟去世了,全家人来到死者的家里,在老母亲的带领下举丧7天。每个人都必须遵守犹太教的传统,不准吃肉、所有的镜子都必须遮盖起来、不能离开公用的厅堂……。在封闭的空间里,气氛很快变得非常沉闷。兄弟姐妹加上各自的配偶,日夜被迫互相忍受,抱怨和争吵不久就取代了哀悼,压抑多年的金钱争执、怨恨、尚未愈合的创伤重新浮上台面。本片以幽默和自嘲手法描述一个犹太家庭,今年5月曾在戛纳电影节“国际影评周”单元作为开幕片。
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A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.
A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality.
Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others.
The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.
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Dana·Ivgy Liron·Ben-Shlush Liat·Goren Varda·Ben·Hur Carmit·Mesilati·Kaplan Sophia·Ostrisky 雅科夫·扎达·丹尼尔
27岁的Rachel一个人照顾着24岁的智障妹妹Gabby。Rachel工作的时候不得不把Gabby独自留在家中,被社工发现后,Rachel不得不奖Gabby送往日托中心,然而这大大改变了Rachel...
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Directed by multi-award winner Nir Bergman (BROKEN WINGS), SAVING NETA tells the stories of four women whose lives change after their brief encounter with a man called Neta. Humour, drama, love and hope, a powerful and moving portrait of family relationships and parenthood in modern life.
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