Kongdej Jaturanrasme

　　You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer.                                                                    　　Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people.                                                                    　　源自：

你在一个破旧的旅馆房间里醒来，不知道你是怎么到那里的。 你不记得你的名字了。 你发现其他房间里似乎还有其他年轻女性处于同样的困境，尽管其中一个似乎知道你的名字：安妮。 在与一只相当大的蟑螂发生不愉快的遭遇之后，你尖叫起来。 那是护士来给你镇静的时候。 顺便说一下，当夜幕降临时，你需要逃离一个带着血迹斑斑的鹿头的杀手恶魔。安妮的面孔在很大程度上依赖于恐怖电影的元素——在很多方面，这正是它的本质。 但这部电影也是一个谜题，其中心问题是——为什么安妮会在这里？ – 允许我们探索有关其解决方案的理论，直到最后一刻。 我们在玩电子游戏吗？ 密室逃脱？ 具有多重人格的人的思想？ 一个精神错乱的连环杀手精心制作的虚无主义幻想？ 最好的恐怖片往往是那些反映社会恐惧的电影，这并不是什么新鲜事。 这部电影对当今年轻人所面临的一些困难进行了巧妙的、令人发自内心的恐惧的类比。