Murray
搜索"Murray",找到145部影视作品
导演:
/艾尔文·拉考夫
剧情:
Survivors of a tragic shipping collision are rescued by a mysterious black ship which appears out of the fog. Little do they realise that the ship is actually a Nazi torture ship which has sailed the seas for years, luring unsuspecting sailors aboard and killing them off one by one.
91
Those who survive the ghost ship are better off dead!
导演:
/Conor McMahon
主演:
剧情:
年轻夫妇马克(Stephen Cromwell 饰)和莎拉(Niamh Algar 饰)驱车外出度假,当他们开到爱尔兰某郡的偏远乡村时,却迷失了前进的方向,汽车更在昏暗的小路上抛锚。万般无奈,马克独自前往附近的村庄寻求帮助,谁知竟在一户人家里发现脖子部位遭到咬伤的男子。马克连忙折回叫上莎拉,试图对受伤者施以援手。他们小心翼翼走进那户人家,结果并没有看到受伤男子。未过多久,马克突然遭到抓狂男子的袭击。二人夺路逃亡,爱尔兰寂静的夜晚仿佛变成了地狱的最底层。 丧失人性且嗜血如命的行尸走肉疯狂追杀猎物,马克和莎拉的假期成为恐怖的噩梦,他们二人最终能否逃出生天……
导演:
/吉姆·米可
剧情:
随着新一轮致命的疾疫逼近,盖斯(克里斯蒂安·康佛瑞饰)和混种人同伴们被艾伯特将军(尼尔·桑迪兰兹饰)和最后的男人囚禁。为了通过找到治愈方法来巩固自己的权力,艾伯特将孩子们用作俘虏阿迪亚·辛格博士(阿迪勒·阿赫塔尔饰)的实验诱饵,而阿迪亚·辛格博士正在努力拯救他被感染的妻子拉妮(阿里萨·维拉尼饰)。为了保护朋友,盖斯同意帮助辛格博士,踏上了一段未知的旅程,探索他的出身以及他的母亲波蒂(艾米·西米茨饰)在“大崩溃”事件中所扮演的角色。在保护区外,汤米·杰普德(侬索·阿诺斯饰)和艾米·伊登(丹妮亚·拉米雷兹饰)联手解救混种人,随着杰普德的秘密曝光,他们的合作关系将受到考验。由于过去的事件对目前的解救行动造成了威胁,盖斯和团聚的家人与艾伯特和邪恶势力发生了冲突,而这些邪恶势力则想要一劳永逸地消灭他们。《Sweet Tooth:鹿角男孩》改编自杰夫·勒米尔的 DC 漫画系列书籍,由吉姆·米可、苏珊·唐尼、小罗伯特·唐尼、阿曼达·伯勒尔和琳达·莫兰共同担任监制。该剧集由 Warner Bros. Television 负责制作。
导演:
/伊恩·索夫特雷
剧情:
一位自称普洛特的戴墨镜男人(凯文•斯帕西 Keven Spacey 饰)突然出现在纽约中央公园车站。他自称来自天琴座附近距地球一千光年的K-PAX星,以超光速来到地球考察。普洛特被当作精神病人入住曼哈顿精神病院,受到马克•鲍威尔医生(杰夫•布里奇斯 Jeff Bridges 饰)的治疗。马克认为普洛特是妄想症患者,却又对普洛特的奇怪行为和不可思议的天文知识将信将疑。同时,普洛特的到来在病院中其他病人中造成轰动,人人都希望能被选中随普洛特回K-PAX星。马克医生竭尽全力希望找出普洛特的真实身份,却没想到自己竟在此过程中越来越被普洛特的理论所说服。普洛特的真实身份究竟为何? 本片被提名美国科幻、幻想和恐怖电影协会最佳男主角(凯文•斯帕西)。
导演:
/Otto Bathurst
主演:
剧情:
喜欢偷盗题材的故事吗?风软将呈现给你一部曲折离奇悬念迭出的偷盗戏码——Hustle 对于团伙来说,Mickey就是头 儿,才智过人,作案计划都出自于他手。Albert是一个经验丰富的老千,晚年扮演起“设套者”的角色,找寻合适的受 害人,然后带着受害人走入“军团”的圈套。Ash则设计最合情合理的情境和用起来最顺手的作案工具,让你的戒备心 沦陷在最普通的情境里。Stacie随时准备用她女性的魅力去协助小团伙作案成功,美女的花招谁也躲不过。这样就够了 吗?不。在一个名叫Danny的年轻骗子被Mickey收归羽翼之后这个团队才趋于完美。 一部偷盗拐骗的教科书,一伙奉行 着诚实正直的人不骗,要填饱贪欲,永远为自己着想,作案不是为了金钱等原则的英国绅士淑女们呈现给观众的眼球大 餐——Hustle 还在为NBC的新剧HEIST被腰斩而痛心吗,停止悲伤吧,喜欢偷盗题...
导演:
/尼古拉斯·罗伊格,唐纳德·卡梅尔
剧情:
帮派分子Chas(詹姆斯·福克斯 James Fox 饰)是Harry Flowers的一名手下,在一次帮派争斗中,Chas杀死了一个叫Joey的人,只能逃亡。为了躲避Harry的追杀,他化名为Johnny Dean,假装是一名变戏法的,租了一所房子的地下室。房子的主人是 Turner(米克·贾格尔 Mick Jagger 饰),他和两个女人住在里面。Chas住在地下室的期间经历了一段奇幻的旅程。他联系一个朋友,让朋友替他搞了个美国护照,准备逃走。他让朋友来他住的地方与他见面,不料他的朋友却带着Harry的人一起来了...... 滚石乐队主唱Mick Jagger的第一部电影,影片完成于1968年,直到1970年才得以发行。
导演:
/马丁·斯科塞斯
剧情:
查理(哈威·凯特尔 Harvey Keitel 饰)和意大利移民朋友们混迹在纽约曼哈顿的下东区,没有固定职业,靠着替黑手党卖命混口饭吃。查理的好友乔尼(罗伯特·德尼罗 Robert De Niro 饰)欠了黑市商人迈克尔的钱,却无力偿还,整日被追债。查理与乔尼的表妹特丽莎真心相爱,但是特丽莎希望他能离开这种不稳定的生活,去寻找新生活。迈克尔因为找乔尼要不到钱而恼羞成怒,查理为了帮乔尼摆平此事,承诺他会尽早还钱。在酒吧里,迈克尔发现乔尼已经穷到极致,根本就不可能还钱时,两人扭打在一起。失控的乔尼拔枪瞄准迈克尔,逼退了迈克尔。为了躲避迈克尔的报复,查理、乔尼、特丽莎三人决定躲到乡下去,他们在开车去看电影的路上,一辆汽车从后面追上来。车里正是迈克尔,他拔出手枪向三人的车子开火。汽车被撞翻了,受伤的三人,艰难地从车中爬出,面对茫茫黑夜,他们发出了无望的哭喊。
导演:
/Jeremy Summers
主演:
剧情:
黑色喜剧讲述了一个海边的 Punch & Judy 男人被他的社会攀登妻子和他对当地政府的势利的仇恨驱使分心。他被说服去参加市长的晚会,但这对他来说太过分了。
导演:
/查理·卓别林
剧情:
流浪汉查理(查理·卓别林 Charlie Chaplin 饰)随队伍来到阿拉斯加淘金。他在一间小木屋里碰见了通缉犯拉逊,接着淘金人吉姆也闯进来,并抢走了拉逊的枪。拉逊出去找食物时发现了吉姆正在开发的金矿,于是他没回木屋。小木屋里,饥肠辘辘的查理煮了皮鞋充饥,饿的神智恍惚的吉姆却把查理想象成火鸡追杀。突然,一头熊撞进来,两人一起把熊打死,饱餐之后分道扬镳。吉姆发现了拉逊占了自己的金矿坑,拉逊将他打昏,不料却在逃跑时掉下深谷。查理在小镇邂逅舞女乔治亚(乔治亚·黑尔 Georgia Hale 饰),帮她摆脱暴发户的骚扰。第二次又巧遇她时,查理邀她除夕共餐,但是乔治亚爽约了,失落的查理只能在幻梦中为她表演舞蹈。被打成失忆的吉姆在镇上重遇查理,他请查理帮他一起找金矿。两人回到小木屋,却被大风雪吹落下了万丈深渊。醒来时他们惊喜地发现金矿正在身边。查理与吉姆淘金成功,在回乡的船上遇见困顿的乔治亚。在新闻记者的镜头前,查理与乔治亚亲密拥抱。©豆瓣
导演:
/Marty Murray
主演:
剧情:
当 3 个大学生从事暑期工作时,在湖中央的酒吧调酒是一生难忘的机会!这家酒吧已经存在了一百多年,许多当地人认为在老板多年前自杀后闹鬼。不幸的是,他们错过了岛上的最后一艘船,并被困在试图找到一条路。随着夜幕降临,他们很快意识到事情在下班后变得非常不同,因为他...
导演:
/Ves D'Elia,Tony McCuin
主演:
剧情:
一项新的运动将以一场全明星队的锦标赛作为特写,为慈善事业而战,并有机会赢得梦寐以求的金黄瓜。
导演:
/Murray Lerner
剧情:
"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.